I’m putting it out to the universe.. 1000 pre-orders by 9-18-18

I’m putting it out in the universe! 1000 PRE-ORDERS BY 9/18/18

If you pre-order the new single, I will drop the video in your email! Just screen-shot your pre-order receipt and send it to –>eriq@eriqtroi.com.. With the subject: COPLEY SLIM’S THEME PREORDER and that’s it!!!


AMAZON- https://www.amazon.com/gp/product/B07H6FWZVC

ITunes – Copley Slim’s Theme (Instrumental) – Single by Eriq Troi


Google Play Store – https://play.google.com/store/music/album/Eriq_Troi_Copley_Slim_s_Theme?id=Bhnaeueiwpoxdtduic6ijumw2va

The Power Of She pt. 2

Here is part 2 of a four part series of women in music in the Northeast Ohio area. As most new things I wanted to start out acknowledging the people in my own front/back yards first. There are so many amazing music makers here that need to be heard. I hope you all tak a moment to check em out and let em know that their music matters.

In part 2 we interviewed Mariama Whyte. She was so gracious in letting us in to her world for a few moments. We got a chance to hear her story behind the music. Be sure to check out Mariama Whyte and let her know that her music matters.

We also feature music from Stacey Richardson-Crawford aka Sarah’s GirlJ.PennelopeNeo Souljah, and Gwen Maul. Be sure to check the music of these amazing artists.

Blooming Where Planted – Unsigned & Unlimited – The Power Of She Ep.1 Pt.1

This is the first of a four part series featuring women who are unsigned recording artists from the Cleveland metropolitan area. Although there will be more artists featured, the focus, as of the next three parts of this episode, is charity starting at home. In other words, I’m starting with what’s right here in my own front/back yards.

This episode features Barabara Barrett, a jazz, classical/opera, gospel and soul singer from Cleveland who has deep roots in her hometown jazz scene.

She can be found by clicking http://barbarabarretandco.com

Check out the podcast Blooming Where Planted – The Power Of She Episode 1 – Part 1

Also featured is the music from Cleveland artists Stacey Crawford-Richardson, Nancy Redd-Shelton, Sherena Wynn, and Gwen Maul.

Don’t forget to leave a comment below by subscribing. I’d love to hear from you.

String Theory – House Of Yarn

So for those who haven’t heard, I released an instrumental project called String Theory. This is, as my wife calls it, music for creatives. 

This project is the musical interpretation of my wife’s fiber art collections. House Of Yarn was inspired by works that will amazingly accessorize any outfit. 

(Photograph courtesy of Jef Janis of Double Vision Photographic)

The production concept for this track is cinematic and orchestral in texture with a house feel. I created the whole peice on my iPad in my dining room with stock orchestral samples provided in the Garage Band app. There were some filler textures needed so I played those myself and programmed the drums to make it “jack”. (Jack is a terminology used to describe house music as funky and danceable). 

Ideally I envisioned the Akron Symphony Orchestra along with a DJ doing this song for a “haute couture” fashion show for my wife. We can dream right? 

You can purchase or stream the song by clicking on the link ——->House Of Yarn. It’s Orchestra meets 808. Take a listen. ENJOY!!! 

Which DAW Is Best To Start With?

Ok! So there are rumors amongst home-based producers that says one DAW (Digital Audio Workstation) like Pro-Tools is better than Ableton or Cubase is better than Logic.

Let’s do the the challenge then. Tell one of your producer friends to turn on the radio. NO.. RIGHT NOW! Go to the radio. Listen to the first song that comes on. Ask him/her to tell you what DAW the song is recorded with. Without having inside knowledge, how would they know?

I’m waiting.. any clue? No? I’ll tell you. It was recorded with the one they prefer. It was mixed with the one they prefer. It was mastered on one that they prefer. Preference is the key. Experimenting on what is easy for you and what YOU like is the key.  

Google and download some free/demo DAWs. Figure out which one YOU like. Try them all. Make sure you’ve had your computer set up for recording first. 

NOTE: when purchasing a DAW, always keep in mind what it is you want to make at the end of the day. You get what you pay for in most cases.

The House Of Yarn. <—-Click on this link. But before you do, can you tell me what DAW I created this song in? Yeah I know. Shameless plug.. 

Remember. It’s not the size of your STUDIO that makes the music, but the size of MUSIC that makes the studio.  

Happy recording!

String Theory – A Musical Collaborative

String Theory is a musical interpretation told by Staci J. Shelton, Jef Janis, and Eriq Troi through fiber art, photography and music.

String Theory is a pre-order. Once it goes available, you will get an email when your download is available. This is the first of many artistic installations to come. By all means, stay in touch with us via email so we can let you know when and where our next events are held.


Producing The First Musical Instrument… YOU! (SO SING THEN!!!)

So I wrote a blog about setting up your home studio and some of the things you may want to look out for to get started. It was based on getting started with the bare minimum to moderate understanding and money. Now I wanted to focus a little on the vocalists in this blog.

As a producer, I have been/am blessed to work with a beautiful range of uber talented singers/songwriters. These people have taught me a lot about how to make recordings because they’ve always shown me ME! To those who I have had the pleasure of pushing the record button for, I thank you.

I always like to help out as much as I can to get each singer to their next level because changing up my mindset and ideas to fit each singer (every one is different), allows me to reach and push. So.. in this blog I wanted the singers to think more like producers/musicians/engineers when they go in the studio or to record.

Experiment Experiment and Experiment MORE

I can’t stress the importance of finding out what your vocals sounds like. By experimenting you will hear the different tones and resonances that can come out of you. If you have a smart phone with a “voice recorder”, USE IT! Know what you sound like in headphones. On the big speakers. In the car.

There are apps like Take App for iPhone users. Or Music Maker Jam App for Android users. Again these are apps that will allow you to practice producing your vocals. The iPhone and Samsung phones have really good quality microphones to get good recordings. Either of these devices can give you a quality reference of what you sound like. Both of these apps are FREE!

If you have an iPad, iPad Mini, iPod Touch, Or iPhone you have A REALLY GOOD TOOL for recording your demos. Sorry Android Users. I haven’t used any of the android apps for music production. But for iOS users check this out. Garage Band is your friend! Especially for writing and demo purposes. This app allows you to not only do vocal work but even tinker out chord structures and beats if you sit down with it long enough. This DAW (Digital Audio Workstation) is super easy to use! I’ve added the iRig Pro (as my iPads interface) and a controller to be able to do full mobile production.

But hey, IT’S NOT ABOUT ME RIGHT? You have 32 tracks to work out all of your vocal parts with Garage Band by Apple. There are all kinds of tutorials on YouTube to get you started. Again.. Experimentation is the key. One thing to keep in mind. You can transfer files to a cloud or back-up to your computer.

If you want to use your original demo vocals in your recording, you may want to record somewhere that has very little background noise such as a closet or your car.(depending on how noise proof your car is) … Again you have to think like a producer/engineer to get the cleanest recording from your devices.

Practice Your Craft

Just like any other craft, you have to practice recording your vocals. You have to learn how to think more like a musician and a producer when it comes to recording your songs and then put this thinking into application. Practice singing the bass lines to songs. Learn the horn parts to your favorite jams, or keyboard parts.. learn to beatbox.. YES BEATBOX! ALL MUSICAL INSTRUMENTS ARE IMITATIONS OF THE HUMAN BODY. So why not imitate what imitates YOU? Besides, Bobby McFerrin won 10 Grammys for imitating instruments that imitate him. Just sayin… He used his vocals as/like a jazz musician. Again. This is a mindset.

From Stage To The Studio

So now here is where I get all the folks who “grew up sangin in da church” upset. There are a lot of bad habits that form when singing without proper tutelage. I, like most of you, don’t/didn’t have a vocal coach (I AM IN NO WAY A SINGER. I IMITATE MY INSTRUMENT WITH WORDS) to get me to practice good habits such as proper breathing techniques, posture, what to eat and drink before a performance and to wrap my neck up when it’s cold outside, and the beauty of echinacea tea and honey to warm my vocal chords up. Most of the church folk have been told as long as you got people shouting then “you must be anointed”! There is a tendency to sing loud and “full of spirit”.. this is wrong. How do I know? As a producer it can be heard in the recording. And the “truth shall set you free” by listening to the play-back! Your bad habits and lack of knowing your audio nuances will be caught on the recording. Now as a producer I can just edit all of this stuff out, right? Yes.. but trust me.. this takes time … time YOU will have to pay for. Just saying…

Studio recording is about finesse and precision balanced with emotional content. This is more about the marathon not the sprint. You will have to do your parts over and over and over and over and over again. If you are singing the way you do in church your voice may be SHOT within an hour or two. The stage, however, is a place where those listening will forget/forgive the bad notes and worn voice because they are caught up in the over all experience of your show. Your bad habits may be great for the stage… but definitely NOT for making a quality recording.

My hope is that this tidbit of perspective will save you time, money and enhance your journey called music. I hope that you are able to think in terms of know how to produce your own vocals. I would strongly recommend hanging out with producers on their sessions to get a reference on how they produce music. This would allow you to get an idea of a big picture when it come to the finished product and how you can go along to speed the process up… and a perspective on how YOU’D produce YOU.

Time to make some noise!!! (The Journey To Building The Perfect Home Studio)

So you’re building your home studio. You’re ready to start cranking out hits, making beats and making musical history, right? Let me guess. You want that big impressive studio sound. Right? One problem.. WHERE IN THE HECK DO YOU START!? There are a gojillion of articles and blogs written about this subject.

Two Facebook friends, Karen Marie Mason and Christopher Allen (shout outs to https://karenmariemason.com) shared an article to help newbies get started on building their own labs. I thought the article was missing a few important components. So they (along with my wife) thought I should write a blog about what I know and how I built mine. Now this blog..

I’ll try and make this painless.

Let’s start with the REAL music and where it comes from. It comes from inside of YOU. Your lab is an extension of you. Your voice. Your personality your sensibilities. Your musical imagination. Your home studio is PERSONAL. So the first question is Who are you? What do you want your musical footprint to sound like. This question won’t be answered until you start experimenting right? You can start experimenting with other peoples’ stuff first to get an idea of what it is YOU like. Go to the music store. Ask questions. Go to studios in your area. Ask to sit in on sessions. Volunteer your services for the information of what they use and how they use it. Mics, instruments, cables, headphones, room set-up, EVERYTHING! This is how you learn. This is how I learned. And I after saw the tools and learned a few tricks of the trade, it was time to have my own.

For me, I wanted to make my small itty bitty lab have the quality of the Hit Factory. I researched (and continue to research) all the stuff and tricks I need to accomplish my goal. The experimenting never stops. What is YOUR goal for your home studio? Do you want the Hit Factory sound from your bedroom/basement/attic/living room? Do you want to make simple beats and samples? Do you want to record your friends and the public to make money? It’s really all up to YOU. What is your purpose? Who are YOU!!!???

The Brains of the operation… Your Computer

You can spend anywhere from $500-$3000 for a computer. There are a lot of choices (and articles/blogs/links) out there but here are some basic things you wanna look for when searching for a computer.

1. Processors – This is a tough one because a 3.0 Ghz processor is a huge difference if it’s let’s say dual core or quad-core. Processing is extremely important (besides RAM below), because it allows us to work in a quicker, more fluid manner. The faster you can work, the more ideas you can get out of your head and into your music canvas. I would go with at least a 3.0 processor that is at least a dual core.
2. There must be at least 6-8 GB of RAM.
3. At least 500 MB of memory – This is up to you, as some say 1TB at least; however, 500 MB is pretty hefty if you aren’t downloading sounds and storing them on the computer or using the device for anything else (such as work, school, images and videos). External hard-drives are strongly recommended.
4. A big enough screen to work with (12″ and up).
5. Video cards don’t matter at all unless you’re editing videos.

Laptops or Desktops? MAC or PC? Totally up to you and your lifestyle and your personal sensibilities. The idea is to create your creative space and to make it personal for YOU.

There is a level of engineering involved too. Don’t get scared. Remember hanging out with the friends with their own labs or hanging in the big studios? Well did you pay attention to the mics and the other equipment? Did you hear what the finished product sound like? Remember… Music production is the process of making a recording. This process is about a perspective. YOUR perspective and the tools needed to manifest your musical ideas.

DAW (Reasons, Pro-Tools, Studio-1, Logic, Ableton etc)

Your DAW (Digital Audio Workstation) is just as personal. Find out which one is easiest for you to work on. BUY your software from a reputable firm or directly from the developer!!!! What you’re buying is the tech support. When I had a problem with my software, I emailed them with a very detailed problem. 24hrs later, one of the actual programmers hit me back with details on how to fix my problem. IT WAS SO COOL!!! Registering your software is great because it gives you access to the neat tricks and workflow ideas from producers all around the world who use the same program as YOU. Letting your buddy loading it up on your computer can sometimes prove fatal to your computer. If you want to experiment with software there are some demo or trial versions you can get directly from the software developer that are safe and free!!!!

USB Mixer / Audio Interface / Microphones

Again. This depends on what you’re trying to do. Big vocal arrangements, instrumental arrangements, or just using midi instruments/controllers and making beats and samples. Research is key to find out what equipment and prices are for you. Same thing for all other equipment.

A lot of the mistakes people make (or the guys I know around here in Ohio) is that they get equipment made for big studios and not the home. In your search for your equipment, you may want to look for stuff made for home recording. The home is a “sonically unstable environment”. If you buy a $600 dynamic mic it may pick up the guy next door burping. Those things pick up EVERYTHING! So I started on an SM57 by Shure which usually run about $99 but I got it on sale for $78.


In my research on the worlds most influential producers, the man at that top of the list is Quincy Jones. He mixed the world’s highest selling album on small speakers. “If you can make it sound good in little crap speakers, when you put the music on big speakers, it will sound amazing”. I was like wow!!! Well if Quincy Jones said it, than it must be true, right? I looked for speakers in my price range which was $150. Then I read an interesting article from SoundOnSound.com about “Flat Monitors” (monitors for “desktop recording” that has no bass or highs unless you put the frequency in the mix). I bought AV40 by M-Audio that doesn’t vibrate bass off the walls. Here is a link for you engineering types to define “Flat Frequency”. http://www.centerpointaudio.com/HowToUnderstandFlatFrequencyResponseGraph.aspx

http://www.soundonsound.com/sound-advice/q-are-there-any-studio-monitors-available-fit-my-budget (the link that got my attention)

In a home situation you may want to keep smaller less powerful speaker/monitors for two reasons. One…. to get the truthful sound as possible and two…. Your neighbors may not share you love for music like you do (TURN THAT S**T DOWN!!!) Again you want sound quality which should bring you to research on how to get a great mix. There are are so many mixing tutorials on YouTube that show you how to mix regarding your software and equipment (or comparable equipment). The one thing that stands out for me in all of these experiments was when I was in a mixing session in Hollywood Hills, California in a studio that faces Universal Studios building… “At the end of the day, mixing is a preference. There is YOUR preference and then there is the labels’ preference.” Find out what what YOUR preference is first. Get good at your sound. Train your ears how to listen for frequencies. This helps when buying mics and headphones. You’ll find that every song you make is going to sound sonically different. It suppose to! Be sure to rest your ears to be able to tell the difference.

One Thing At A Time

I failed to mention that I didn’t go out buying everything at once. I bought one thing at a time. What I did was (in order):

*Saved and purchased my computer(desktop.. no plans to be moving around)

*Downloaded my demo software(I tried a few before I found my favorite which was recommended by another producer friend of mine) 

*Purchased my USB MIXER INTERFACE & M-AUDIO USB MIDI CABLE WITH DRIVER (I wanted to record my guitars and voice – I purchased and still use the Xenyx 1204 mixer with phantom power for my mic. I had a Casio midi Keyboard that I used as a controller at the time. It works well with the software I purchased)

*Purchased headphones (at the same time I purchased my USB Mixer Interface I was using regular headphones out of the headphone jack before I bought my headphone monitors)

*Purchased FULL REGISTERED VERSION DAW (purchased with 3 installments from http://sweetwater.com

*Purchased my Microphone/extra cables.

*Purchased M-Audio AV40 powered speaker/monitors

And of course other little accessories came later like an extra screen and controllers and beat pads and keyboard stands for the new piano I ended up getting.. that happens. LOL.. In all it took me a year and a half in building the basics for ME to get started. It may be longer or shorter depending on what you want to create out of your home studio and your budget. Don’t forget to do your homework. I started with soundonsound.com. This sight got me started on my way and from time to time they have really good engineers who are willing to talk with you and give you other ideas to help you on your journey.

For a consultation contact me at eriq@eriqtroi.com

#Blooming Where Planted – The Project



Hello Everyone!

You all might have seen the hash tag (#BloomingWherePlanted) around on some of the social media sites lately and have wondered what does this mean, right?

Well it’s all about maximizing everything around you to reach your dreams. To reach your fullest pontential right where you are. It’s a philosophical idea that I think being an artist/producer/musician in the Northeast Ohio area have yet to explore. Everything starts in the mind.. even the idea of “making it” in the music business locally. I really believe that if we change our mindset on how we see Cleveland and its surronding areas, we will discover an oasis custom made for what I declare and decree “The Ohio Sound”.

There is this myth that “you gotta leave Cleveland to make it”. I will respectfully beg to differ. If you look around closely you will see that you have EVERYTHING you need to create your utopia… here in Northeast Ohio. The idea is NOT to “do what they do” in L.A., New York, London, Atlanta, etc.. but NORTHEAST OHIO! I’ve had to travel the world to find out the beauty and uniqueness of what is right in my front yard… so I figured let me take advantage of it.

While thinking of what can I do, it HIT ME like a James Brown horn section while watching a Quincy Jones interview!!!

In the interview a young man asked Quincy “what can I do to be a producer”? I thought to my self hmmm that would be the question I’d ask him. He said “just go produce”. “Get some your friends together and make some music man”.. I figured hey I got some amazingly talented friends. Let me ask them if they’d wanna get on some these tracks I have just sitting and put it out to the world. Two and a half years later, this project is almost ready to be released to the world coming this summer.

Here (hear) is a track (NOT ON THE PROJECT) of one of the artists on the project. His name is Damien Nova. He is from Cleveland and has a sound of his own. You can check him out by this link.. https://soundcloud.com/damien-nova AGAIN THIS IS JUST A SAMPLE!!!

I would love to have you all get the sneak peak of the project. By all means subscribe so I can get you all on the email list. All of these amazing artists are from the Northeast Ohio area and have projects of their own and yet they all have allowed me to add them to this epic project.

I hope to hear from you all soon..


#ProtestMusic – Badge #666

Badge #666 is my audio interpretation of police brutality and the unjust laws that it comes from. Police brutality is also deeply rooted in the white supremacist mindset that goes back over 300 years. The recent events in the murdering of unarmed people of color is the result of centuries of the fear of change. As history has it, when ever there is change in the face of this mindset, it is opposed with violence with unjust laws to insure that this chaos prevails.



The good thing about chaos is, as history also tells us, it’s nature is to implode on itself… and those who cause it!

In any event, I look forward to a healthy conversation about the music, this post, and pursuit to coming up with idealogical solutions to this mental DIS ease in this country…

It starts with me… you … WE…